rilkepath006_0004























The Rilke Path,Asja Boroš, 10‘,Video,Kombinirana tehnika
Produkcija: ALU, OZAFIN, 2006.
http://threelittlecameras.blogspot.com




vlak





















VLAK, Goran Stojnić, 8`34”,Ulje na staklu,Beta SP
Supervizija: Jerzy Kucia, Aleksandar Battista Ilić Mentor: Aleksandar Battista Ilić
Muzika/zvuk: Nikola Kovač, Goran Stojnić
Produkcija: Akademija likovnih umjetnosti Zagreb (ALU), Akademia sztuk pięknych Krakow (ASP)
Synopsis: The film is made using oil on glass technique, combined with computer techology. Developing of the idea started at the Academy of fine arts in Krakow, under supervision by prof. Jerzy Kucia. The essence of the movie is authors vision of what is reality. It is expressed by two confronting worlds; one abstract, and one figurative. Figurative reality is one everyday situation in a local train, and the abstract one is everything surrounding it. The Polish title Pociąg also bears dualistic meaning: it is translated to English as “train”, but also at the same time means “lust”. It is kind of minimalistic-surrealistic movie, with the same kind of music.






educationalstory




















Educational Story, Darko Vučenik, , 2’14’’ ,3D animacija, video
Synopsis: Educational Story is a comedic animated short placed in a world of toys. Its actors are rug dolls, two friends Fred and Steve, and a big bad lion. Steve, the smaller of them, decides to climb from the bottom of the food chain through betrayal of his friend. His actions will have tragic consequences.






aleksandar_vjestica














Metamorphosis, Aleksandar Vještica, 7’24’’,Voda i kreda na ploči, Digitalna fotografija, video
Synopsis: A visual work dealing with issues of change, its physical manifestation in sound and image, through the process of water drying on the board. The film deals with the problem of prepared and unprepared material in animation.





zenenabrodu




















Žene na brodu, Vjekoslav Živković, animirani film, Digital Beta, 10′ 37”, boja
Akademija likovnih umjetnosti u Zagrebu / Hrvatski filmski savez
Sinopsis:Između Lika i njegove velike strasti – izrade brodova u boci u podrumu obiteljske kuće, našla se strašna prepreka – njegova napasna Žena. Ona ga stalno ometa, pa niti jedan brod ne može završiti do kraja. U bračnome gnijezdu izbija bespoštedan obračun čiji će ishod pokazati da ljubav ima mnogo bizarnih lica.





ledenonebo










Ledeno Nebo, Filip Gašparović, 1′, trailer, kompjuterska animacija, ALU.





nocni_susretmalastill
























Noćni susret, Vedran Klemen Trajanje: 1′ Tehnika: 2D kompjuterska animacija Format: DVD
Sinopsis: Animacija sa ekoloskom porukom






makovi



… o maku
Režija, animacija : Gorana Trivić Trajanje: 2’52’’ Tehnika: crtež, kolaž, slika Format: Video
Synopsis: This animated film exposes means of flower poppy. The rose from Little Prince, Antonie de Saint-Exupery, is modificated in a sort of poppy. That exchange with the other sort of flower recives different meaning and character and with this changes considetations Little Princ about flower. In that way carry thought now is dreams of influence opium. Combinations two tehnique,classic animatons with video, give the film flow of dream and thoughts. Classic animated tehnique gives poetic exprassion and lightness to film. Video camera takes details objects from our realistic world and with increased they separate of recognize. Intention of this film is approach efforts which give as novels of stream consciousness,oniric movie withought of sturdy narativ story. Sekvences with visuals impressions in rhythmical follow each other give spectator interested in to be present at projection.





Instrumenti Režija, animacija : Luka Tolic Tehnika : digitalna animacija Format : Video Trajanje : 6′
Synopsis: This work tried to fuse certain aspects of new media art and cognitive science theory (especially the cognitive linguistics and visual languages literature) and present itself as an operational interface, a cognitive instrument. However, the editing of a soundtrack that synchronized it too overtly with the visual events had downgraded the intended effect to a trivial musical instrument. Since I do admit this as a mistake, and since this error is mine alone, I apologize, in advance, for all the six minutes of it!